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| LESSON FILES | 03/28/2015 | 34.38 MB |
| 01. INTRODUCTION.MOV | 12/24/2012 | 80.32 MB |
| 02. REAL, UNPRINTABLE, AND IMAGINARY COLORS.MOV | 12/24/2012 | 10.77 MB |
| 03. LAB AND THE PERFECT SUNSET.MOV | 12/25/2012 | 21.89 MB |
| 04. RETOUCHING BLOWN-OUT AREAS.MOV | 12/25/2012 | 13.78 MB |
| 05. PAINTING IN COLOR.MOV | 12/25/2012 | 15.19 MB |
| 06. USING BLEND IF.MOV | 12/25/2012 | 13.07 MB |
| 07. LOW-RADIUS SHARPENING.MOV | 12/25/2012 | 15.07 MB |
| 08. BLURRING SKIES AND BLEND IF.MOV | 12/25/2012 | 52.98 MB |
| 09. COMPARE LAB TO RGB SHARPENING.MOV | 12/25/2012 | 10.67 MB |
| 10. SHARPENING THE AB CHANNELS.MOV | 12/25/2012 | 12.67 MB |
| 11. EMPHASIZE COLOR TRANSITIONS.MOV | 12/25/2012 | 49.39 MB |
| 12. WHEN TO AVOID SHARPENING THE AB CHANNELS.MOV | 12/25/2012 | 10.96 MB |
| 13. HIRALOAM SHARPENING.MOV | 12/25/2012 | 87.82 MB |
| 14. MULTIPLY MODE.MOV | 12/25/2012 | 19.14 MB |
| 15. CHOOSING THE PROPER LAYER MASK.MOV | 12/25/2012 | 13.70 MB |
| 16. ANOTHER EXAMPLE.MOV | 12/24/2012 | 19.35 MB |
| 17. LAB IS NOT ROCKET SCIENCE.MOV | 12/24/2012 | 15.60 MB |
| 18. THE (M.P.P.S.).MOV | 12/24/2012 | 11.37 MB |
| 19. BLENDING WITH THE AB CHANNELS.MOV | 12/24/2012 | 20.79 MB |
| 20 COMPARING METHODS.MOV | 12/24/2012 | 11.28 MB |
| 21. OVERLAYING THE A AND-OR B ONTO ITSELF.MOV | 12/24/2012 | 3.99 MB |
| 22. THE MAN FROM MARS METHOD.MOV | 12/24/2012 | 56.74 MB |
| 23. THE MAN FROM MARS METHOD FOR FLESHTONES.MOV | 12/24/2012 | 21.35 MB |
| 24. A COMPREHENSIVE RGB TO LAB WORKFLOW.MOV | 12/25/2012 | 62.80 MB |
| 25. RGB CHANNEL BLENDING.MOV | 12/25/2012 | 16.40 MB |
| 26. MORE PRACTICE WITH THE RGB-LAB WORKFLOW.MOV | 12/25/2012 | 21.27 MB |
| 27. THE WORKFLOW WITH WILDLIFE PHOTOGRAPHY.MOV | 12/25/2012 | 26.98 MB |
| 28. CONCLUSION.MOV | 12/25/2012 | 30.63 MB |